Dear friends, collectors and art lovers,
We are pleased to announce our new opening of a new solo show at S Gallery in honor of French artist Thilbaud Tchertchian.
Please join us for the opening of "Particles Evolution" the 20th of April. The opening ceremony will start at 6:00pm.
Don't hesitate to contact us if you would like to interview the artist or for any inquiries you may have.
Kind regards,
S gallery
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Thibaud Tchertchian uses spray paint to create unexplored worlds and delve into the human imagination.
The S gallery is proud to invite you to experiment a deep diving in the black and white research of Thibaud Tchertchian.
Thibaud works with spray can, which allows him to paint with spontaneity and intensity. By erasing colours, he studies lines, gestures, and aesthetic qualities inherited from graffiti, working his way toward a form of expressionism. This rough line suggests an ample and physical gesture that uncovers a form of figuration borrowed from an abstract aesthetic. This «spit paint» technique is the result of a long technical study of the handling of the spray can. This technique enables the artist to change the instrument’s primary function, what it produces and what it signifies on the canvas. Thus the artist draws forth paintings that are at the same time sober and romantic, and which thoroughly detail a generations lag.
Thilbaud hopes to immerse the spectator into a heap of pixels and particles represented by each stain as the infinitely small integrated into the infinitely large. Each stain is directed by associations and tensions that are at the same time chemical, physical, and mystical.
Each particle gains knowledge of itself through its own break down. Just as the audience looks at a painting and recreates the experience of its own awareness. These particles express themselves in a certain way like vibrations of white and black, which can in turn be conceived of as different combinations of yin and yang. This concept allows the artist to create objects with an extra material dimension.
From far away, the viewers see a well-constituted and recognizable composition. Moving closer to the canvas, they fall into an abstraction directed by the unpredictable, by chance.
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